I'M NOT GOING TO CALL HIM A LIAR BEHIND HIS BACK BUT I WOULD SAY IT TO HIS FACE IF HE WAS HERE
27 December 2011
14 December 2011
I MADE SOME ART - NOW TELL ME EVERYTHING I NEED TO KNOW ABOUT A CAREER IN THE VISUAL ARTS
artists who play with a "rupture of sense".
Strangely indistinguishable from the familiar terrain of normality
The show explores what it means to step over this barrier and to set foot into the inexplicable and illogical world of humour
These strategies, and those of all the artists in 'Ha Ha Road', serve to illustrate the liberating freedom of thought at work in humour.
A REAL COMEDY SPECIALIST WE HAVE HERE FOLKS:
"I really doubt a member of KEK or an aficionado of Broodthaers actually wants an explanation, but a photo's worth a thousand words, one's i agree with more than the curators write up."
Strangely indistinguishable from the familiar terrain of normality
The show explores what it means to step over this barrier and to set foot into the inexplicable and illogical world of humour
These strategies, and those of all the artists in 'Ha Ha Road', serve to illustrate the liberating freedom of thought at work in humour.
A REAL COMEDY SPECIALIST WE HAVE HERE FOLKS:
"I really doubt a member of KEK or an aficionado of Broodthaers actually wants an explanation, but a photo's worth a thousand words, one's i agree with more than the curators write up."
CHARLES STANKIEVECHDie Mauer (The Wall), 2009Nine vinyl records with coversCourtesy of the artistCharles Stankievech (b. 1978) is a Canadian artist who often usesinstallation and sound art to tell stories inspired by landscape, architectureand history. Embedded in this practice, Stankievech's minimal installationDie Mauer intertwines languages of conceptual art, cold war iconography,institutional critique and rock ‘n’ roll pop culture. In 2009, exactly 30 yearsafter the album release (1979) and 20 years after the fall of the Berlin Wall(1989), the artist bought all The Wall vinyl records by Pink Floyd for sale atthe popular Mauer Park Market in Berlin. That day, there were 9 used LPsof various editions and prices available from various independent sellers. Inthe context of Ha Ha Road, the long assemblage of freestanding covers withtheir album art of white bricks daubed with graffiti resonates with the ideaof the “barrier” at play in the exhibition’s title. But positioned on the galleryfloor, due to their specific design, the covers make a humorous reference alsoto one of the UK’s greatest art scandals ever: the vandalisation of CarlAndre’s Equivalent VIII at the Tate in the 1970s. Protesting the idea of “apile of bricks” actually being art, someone smeared this work with paint. Wewould invite you to be a little more gentle.