You started as a writer for TV, and that is a group process, if I understand it right?
CK: It is, at least situation comedy writing in the US is in a group. I don't know about the dramas, I never did that, I think it might be more individual. But yeah, you sit in a room with a bunch of other comedy writers and you pitch jokes. The first job I got I didn't say a word for 6 weeks and every day I would go home and think that I was going to get fired that day. I was so scared and so shy and so inhibited-- I mean it's a competition, you know, because you are vying for the affection of your boss, who is your dad, really, in this situation. So it's really weird and some of those writers rooms are really scary. And you know, that older brother that you hate because your dad likes him more...
CK: It is, at least situation comedy writing in the US is in a group. I don't know about the dramas, I never did that, I think it might be more individual. But yeah, you sit in a room with a bunch of other comedy writers and you pitch jokes. The first job I got I didn't say a word for 6 weeks and every day I would go home and think that I was going to get fired that day. I was so scared and so shy and so inhibited-- I mean it's a competition, you know, because you are vying for the affection of your boss, who is your dad, really, in this situation. So it's really weird and some of those writers rooms are really scary. And you know, that older brother that you hate because your dad likes him more...