I'M NOT GOING TO CALL HIM A LIAR BEHIND HIS BACK BUT I WOULD SAY IT TO HIS FACE IF HE WAS HERE
26 July 2006
5 July 2006
drifters dialectic

Day 4: The prosecution begins its case. Howard Morgan, a 14-year-old student in Scopes's biology class is on the witness stand:
Q--Did you attend school here at Dayton last year?
A--Yes, sir.
Q--Did you study anything under Prof. Scopes?
A--Yes sir.
Q--Did you study this book, General Science?
A--Yes, sir....
Q--Did he ever undertake to teach you anything about evolution?
A--Yes, sir....
Q--Just state in your own words, Howard, what he taught you and when it was.
A--It was along about the 2d of April.
Q--Of this year?
A--Yes, sir; of this year. He said that the earth was once a hot molten mass too hot for plant or animal life to exist upon it; in the sea the earth cooled off; there was a little germ of one cell organism formed, and this organism kept evolving until it got to be a pretty good-sized animal, and then came on to be a land animal and it kept on evolving, and from this was man.
26 June 2006
16 June 2006
29 May 2006
Update

I have just been awakened by people scraping crusty metal off the walkup staircase. My dream was set in a lush, flat country field containing humanbuilt waterfalls, caves extracted from the earth and turned inside out, historic ruins, and "primitive" monuments. The festivities seemed to follow the logic of a funeral (for me?), and we were all there celebrating with bonfires, and roasts. Rob had just arrived on his bicycle from a race, and Michael dressed in a police uniform. The proceedings seemed to go well, but the scraping metal interrupted a little too soon to know for sure.
28 May 2006
23 May 2006
I have already repressed the memory of the last post that was deleted
9 May 2006
24 April 2006

"Let us recall the staged performance of "Storming the Winter Palace" in Petrograd, on the third anniversary of the October Revolution, on 7 November 1920. Tens of thousands of workers, soldiers, students and artists worked round the clock, living on kasha (the tasteless wheat porridge), tea and frozen apples, and preparing the performance at the very place where the event "really took place" three years earlier; their work was coordinated by the Army officers, as well as by the avant-garde artists, musicians and directors, from Malevich to Meyerhold. Although this was acting and not "reality," the soldiers and sailors were playing themselves - many of them not only actually participated in the event of 1917, but were also simultaneously involved in the real battles of the Civil War that were raging in the near vicinity of Petrograd, a city under siege and suffering from severe shortages of food. A contemporary commented on the performance: "The future historian will record how, throughout one of the bloodiest and most brutal revolutions, all of Russia was acting"54; and the formalist theoretician Viktor Shklovski noted that "some kind of elemental process is taking place where the living fabric of life is being transformed into the theatrical."
-slavoj zizek "Repeating Lenin"
available: http://www.lacan.com/replenin.htm
13 April 2006
22 March 2006
21 March 2006
17 March 2006
7 March 2006
6 March 2006
3 March 2006
"Here the focus turns to the curious problem of presence-absence, which haunts research on systems of significations. A system or sub-system, whether of objects or words, both is and is not self-sufficient. It is self sufficient; it is complete whole. Each element refers to all others. It looks as full as an egg. Look at it a bit longer and a bit more closely: see, it empties itself. A host of questions, posed technically by linguists and tragically by philosophers, now arises. We ask: Who? For whom? Why? How? The system is not self-sufficient. This 'whole' is partial and open. It refers to 'something else': purpose on the on hand, and the 'subject', on the other, and beyond these two terms lies the totality and the meaning. (,,,)"
_ Henri Lefebvre, "Preface to the study of the Habitat of the 'Pavillon'" in "Lefebvre: Key Writings" (Continuum; NY, London; 2003) p. 132.

_ Henri Lefebvre, "Preface to the study of the Habitat of the 'Pavillon'" in "Lefebvre: Key Writings" (Continuum; NY, London; 2003) p. 132.

19 February 2006
Lil Babylon
Vito Acconci speaking to Hans Ulrich Obrist: "...I paid attention to phrases like, "A person who lives by the sword dies by the sword." In other words, if a project starts out as private, it ends private; if something is meant to be public, it better start at least as a semi-public project. Now, one is private, and two is a couple, a mirror image, but three is a crowd; three spoils the couple, so it must be the beginning of public..."








14 February 2006
8 February 2006
29 January 2006
Who Knew?
28 January 2006
Interview from above
24 January 2006
Summary of reasons why an artist run centre stamp series is essential
I) Art is an important part of ___________________ identity.
II) Contemporary art is vital to ___________________'s international reputation.
III) Artist-Run Centres(or artist led centres) are integral to contemporary ___________________ art.
IIII) Contemporary art has been neglected in ___________________ postage.


II) Contemporary art is vital to ___________________'s international reputation.
III) Artist-Run Centres(or artist led centres) are integral to contemporary ___________________ art.
IIII) Contemporary art has been neglected in ___________________ postage.


18 January 2006
16 January 2006
proposal for painting exhibition
3 January 2006
The $8,000 Tandem

"Collaboration: A late twentieth century euphemism for artists working creatively together.
Collaboration: An early twentieth century euphemism for so called enemies working creatively together."
Paul Sullivan, Exit Review, Static-ops, 2003.
31 December 2005
Day 11
"... Down into the earth where dead men go I would go soon and maybe come out of it again in some healthy way, free and innocent of all human perplexity. I would perhaps be the chill of an April wind, an essential part of some indomitable river or be personally concerned in the ageless perfection of some rank mountain bearing down upon the mind by occupying forever a position in the blue easy distance. Or perhaps a smaller thing like movement in the grass on an unbearable breathless yellow day, some hidden creature going about its business - I might well be responsible for that or for some part of it. Or even those unaccountable distinctions that make an evening recognizable from its own morning, the smells and sounds and sights of the perfected and matured essences of the day, these might not be innocent of my meddling and my abiding presence. (...)
"Or perhaps I would be an influence that prevails in water, something sea-borne and far away, some certain arrangement of sun, light and water unknown and unbeheld, something far-from-usual. There are in the great world whirls of fluid and vaporous existences obtaining in their own unpassing time, unwatched and uninterpreted, valid only in their essential un-understanding mystery, justified only in their eyeless and mindless immeasurability, unassailable in their actual abstraction; of the inner quality of such a thing I might well in my own time be the true quintessential pith. I might belong to a lonely shore or be the agony of the sea when it bursts upon it in despair."
-Flann O'Brien, "The Third Policeman" (1967).
"Or perhaps I would be an influence that prevails in water, something sea-borne and far away, some certain arrangement of sun, light and water unknown and unbeheld, something far-from-usual. There are in the great world whirls of fluid and vaporous existences obtaining in their own unpassing time, unwatched and uninterpreted, valid only in their essential un-understanding mystery, justified only in their eyeless and mindless immeasurability, unassailable in their actual abstraction; of the inner quality of such a thing I might well in my own time be the true quintessential pith. I might belong to a lonely shore or be the agony of the sea when it bursts upon it in despair."
-Flann O'Brien, "The Third Policeman" (1967).
30 December 2005
"If it's construed as art in your mind, then keep it on your property."
David Cassivi, Windsor City Council
29 December 2005
26 December 2005
The Demise of Something Worth Pursuing
20 December 2005
Take my shoes off
16 December 2005
4 December 2005
2 December 2005
Interlude
I just wanted to tell you about a dream I had last night. Jon reported that he had heard back from one of the spaces for which we had devised a proposal, but he said: 'something astounding has happened- they offered me a solo show'.
29 November 2005
27 November 2005
Day 8
25 November 2005
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